Kittens in boots by Auður Lóa Guðnadóttir
Discover the allure of our exclusive art print by Auður Lóa Guðnadóttir, a true masterpiece meticulously crafted for PETIT ARTPRINTS. This exquisite creation showcases Auður's artistic brilliance through a contemporary lens, offering a unique blend of creativity and expression.
Immerse yourself in the world of fine art with our Giclee printed masterpiece, expertly rendered on museum-quality paper weighing 230gsm. The result? Captivating images that burst with vibrant, lasting color. With a smooth, velvety matte finish, these modern art posters don't just adorn your space, they transform it.
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Each order is meticulously printed on demand, to eliminate waste and to ensure ECO-Friendly production. From the moment you place your order, anticipate a 7-day journey within Europe, encompassing the artistry of printing and the excitement of delivery.
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Unleash your creativity upon the world. With worldwide shipping, this exclusive art print can grace the walls of art connoisseurs and enthusiasts alike, spanning across continents to find its cherished place in your heart and home. Experience the allure of contemporary art prints, redefined.
Auður Lóa Guðnadóttir - Kittens in boots
Auður Lóa (b. 1993) finished her BA from Iceland University of the Arts in 2015. Since then, she has participated in exhibitions, both as an artist and curator. In 2018, she was awarded the Motivation Award of the Icelandic Art Awards.
Auður Lóa seeks inspiration from the so-called Staffordshire figurines which became popular in Britain during the Victorian era. The industrial revolution saw the birth of mass-produced figurines of people and current events of the times. The figurines varied in quality and were available at a price which middle- and working-class people could afford. The royal family, politics and arts were popular subjects, but also figurines depicting crime, failed circus acts and other things that were popular with the general public but were not considered high class. Auður Lóa takes a similar approach; as well as covering well-known motifs, she also focuses on people and events at the periphery of our attention. Her work is made from painted and glazed paper mache. The material is difficult to manage and often wrestles the control from the artist. The result is an imperfect copy of models from found imagery.
